#Halloween season of the witch movie
#Halloween season of the witch skin

The masks were also used in 2018's 'Halloween' and 2021's 'Halloween Kills,' identifying cult fandom for the The interviewee detail mask history, exploring the origins of the 'Halloween III' trio and his efforts to Materials before co-founding his own company. Justin Mabry, who grew up obsessed with 'Halloween.' Learning more about mask making as he matured, Mabry experimented with style and

'Tricks, Treats, and Terrors: The Masks of 'Halloween III'' (7:29, HD) is an interview with art director and lead sculptor.

Commentary #2 features actor Tom Atkins.

Commentary #1 features writer/director Tommy Lee Wallace.

Exteriors offer strong dimension,ĭisplaying long streets, and interiors offer precise decoration, especially during factory visits.

#Halloween season of the witch skin

Gore zone visits retain their graphic appearance, showcasing shredded skin and goopy robotic elements. Detail is superb, exploring rougher facial textures on Atkins and doll-like smoothness on Highlights offer tastefully bright lighting sources and rich

Whites are crisp, with sharp hospital coats and thinning hair on Cochran. Delineation is precise, with deep blacks capturing shadowy encountersĪnd evening activity.

Town tours highlight red brick and green signage, also supplying rich greenery. Shamrock masks offer real pop here (orange and green are powerful), along with costuming, delivering sharp blues and reds. Hues throughout, capturing the surprising amount of red hair on characters, and pink and yellow motel/gas station paint.

#Halloween season of the witch movie

Arguably the most colorful installment of the franchise, the movie delivers with nuanced Previously issued on Blu-ray by Shout Factory, the company now brings 'Halloween III: Season of the Witch' to 4K, using a new scan of the originalĬamera negative (approved by cinematographer Dean Cundey). Screencaps are taken from the Blu-ray release of 'Halloween III: Season of the Witch.' Straight, which works for the production, giving it the feel of a horror short story presented with widescreen gloss by cinematographer Dean CundeyĪnd electronic stomp from composers Carpenter and Alan Howarth.įor additional analysis and information, please read: Wallace doesn't blink when it comes to the lunacy of the picture, playing everything Kids melting into piles of bugs and snakes on Halloween. There's black magic, Irish pride, robotic henchmen, and aĢ4-year age difference between stars Tom Atkin and Stacey Nelkin, who are tasked with selling a sexual subplot that's slightly more terrifying than Offering a slow-burn detective story that occasionally runs into gory acts of bodily harm. It's not the most tasteful plot, but director Tommy Lee Wallace does something compellingly sinister with 'Halloween III: Season of the Witch,' 'Halloween III: Season of the Witch,' which didn't include Michael Myers, going to a far darker place, exploring the macabre plans of a mask makerĪnd his dream to kill the children of America after they go trick-or-treating. The first and only chapter to make it out alive was Year, working with the specifics of Halloween to create fresh possibilities for big screen horror. The duo wanted to do somethingĭifferent, looking to take the 'Halloween' brand name into a different direction, with plans made to generate a new spooky story for the holiday every With the murderous ways of Michael Myers, putting The Shape to bed after two commercially triumphant endeavors. Theyĭelivered a massive hit in 1978's 'Halloween,' and begrudgingly decided to return to duty for 1981's 'Halloween II,' but the pair grew tired of dealing

In 1982, producers John Carpenter and Debra Hill decided to do the one thing that most people don't do in Hollywood: they took a creative risk. Reviewed by Brian Orndorf, October 4, 2021 Halloween III: Season of the Witch 4K Blu-ray Review